I’m using OJS 3.4.0-8. OJS Crossref assignment and registration process seems to work correctly but the address registered with Crossref uses the IP address of the OJS server instead of the domain name address.
Hi Roger, is there anything else that you suggest I could check which might explain this error? Is it possibly the DOI handling by OJS that is causing it? I’m clutching at straws here.
Thanks
No - sorry - I’m not sure what to suggest if you’ve already checked base_url setting appears to be correct. Paging my colleague @AhemNason - to see if he might have some suggestions.
Hi @elhay, the advice in here is what I’d have given you. It sounds like some configuration is sending you to the wrong place. Have you tried re-deposting the DOI via the plugin to see if that corrects the issue? If this DOI was registered during a migration or something, that base_url might not have been configured at the time.
If you still have issues, I’d contact Crossref to see if they have any ideas. Do all your DOIs do this or just this one?
Hi Mike. I have redeposited all the DOIs after checking that base_url variable was correctly set. Most of the DOIs do this but not all. I can’t see any pattern there either. The repots from CrossRef show “success” for all of them.
_1743127907
20250328124147000
Sylvan ELHAY
sylvan.elhay@adelaide.edu.au
The University of Adelaide
Journal of Music Research Online
J. Mus. Res. Online
1836-8336
08
10
2023
13
Mahler and His Programs vis-à-vis Strauss
Joseph P
Jones
Gustav Mahler had, by the late 1880s, achieved considerable prestige as a conductor, yet Richard Strauss’s early success as a composer of tone poems earned him wider fame and fortune. Around the time of Strauss’s triumphant premieres of Don Juan and Tod und Verklärung, Mahler was securing performances of his own programmatic orchestral works, the Symphonisches Gedicht in zwei Teilen and Todtenfeier. After disappointing results, he revised both, adding descriptive movement titles and other programmatic details, seemingly following Strauss’s lead. But further unsuccessful performances followed and Mahler grew wary of publicly sharing such descriptions of his works. The so-called ‘Munich Declaration’ of 1900 in which he denounced the programme seemed to react to this negative reception, which stood out in stark relief compared to the acclaim Strauss received.Scholars have long reflected on Mahler’s comments on his programs, but the extent to which his adoption and subsequent rejection of such descriptions was influenced by Strauss has remained elusive. Viewing the early symphonies against the backdrop of works such as Strauss’s Also sprach Zarathustra, this article illuminates how Mahler’s stance on the descriptive programme shifted. Later he was more concerned with comprehension and with setting himself apart from Strauss. But Mahler’s earlier approaches to his own programmatic compositions, including what he chose to share publicly, were clearly bound up with Strauss’s own creative output and suggest envy of his rival’s success and frustration with his own failures.
02
20
2023
10.20851/3gkd3s34
https://www.jmro.org.au/index.php/main/article/view/52
https://www.jmro.org.au/index.php/main/article/download/52/46
https://www.jmro.org.au/index.php/main/article/download/52/46
Then resubmitted the DOI to Crossref and am now waiting to see if it will work. Can’t see any reference to 10.33.12.105 in the xml file generated by OJS 3.4.0-8